Interpretation as Creative Objective Act by Liliano Pazo
Translated by Deborah Rotshtein Make sure that, reading your story, the melancholic move towards laughter, those who laugh begin doing it louder, the simple
Volume 1 (i) 2026
Revival of Cabaret Theatre Traditions in Modern Art of Clowning by Vyacheslav Polunin by Elena A. Semenova
Revival of Cabaret Theatre traditions in the Modern Art of Clowning by Vyacheslav Polunin Elena A. Semenova PhD (of the Pedagogical Science), Non-profit partnership “Theatre-EX”, Moscow, Russia. semenova05@list.ru Abstract The article is
Women’s Embodiment as Semiotic: A Multimodal Analysis of Spatial Meaning in Novi Kristinawati’s Design by S. Agustin, A. Saidi, I. Damajanti, and H. Ahmad
Women’s Embodiment as Semiotic Practice:A Multimodal Analysis of Spatial Meaning in Novi Kristinawati’s Design Senja Aprela Agustin Bandung Institute of TechnologyInstitut Teknologi Sepuluh November senja@kotasis.com
Representation of Religious Trauma in Sefi Attah’s Hailstones from Zamfar KALEJAIYE Oluwakemi Abiola and SHOGUNLE Oluwaseyi Nathaniel
KALEJAIYE Oluwakemi Abiola Olabisi Onabanjo University, Ago-Iwoye, Nigeria. abiola.kalejaiye@oouagoiwoye.edu.ng SHOGUNLE Oluwaseyi Nathaniel Olabisi Onabanjo University, Ago-Iwoye, Nigeria. seyi.shogunle@oouagoiwoye.edu.ng Abstract The study examines Sefi Attah’s
Mythologemes of Death, the Garden, and Time in Lewis Carroll’s Alice in Wonderland by A.Shapauov, Y.Turovskaya, S.Negimov and Z. Talaspayeva
Mythologemes of Death, the Garden, and Time in Lewis Carroll’s Alice in Wonderland Alibi Shapauov Full Professor, PhD Kokshetau Sh. Ualikhanov University, Kazakhstan Yekaterina Turovskaya
Hidden Semantics of the Painting Program in the Church of the Narva Icon of the Mother of God in Narva by Yuliia Khlystun
The article is devoted to the description and cultural analysis of the program for painting the church in honor of the Narva Icon of
Fate, Uncertainty and Mystery of the Supernatural: Ironical Indictment as Literary Hermeneutics in Elechi Amadi’s The Great Ponds and The Concubine by N. Akingbe, C. Ogunyemi and N. Echendu
Christopher Babatunde Ogunyemi Department of English School of Social Sciences, University of Mpumalanga Mbombela, South Africa christopher.ogunyemi@ump.ac.za Nnawuihe Fidelis Echendu Department of Languages,
Between the Slavery of the Law and the Freedom of the Promise in Grace: A Semiotic Reading of the Allegory of Sarah and Hagar by Nilthon Fernandes
Between the Slavery of the Law and the Freedom of the Promise in Grace: A Semiotic Reading of the Allegory of Sarah and Hagar Nilthon
A Semiotic Analysis of Anthropomorphic Conceptions of God in Biblical Verses by M. Mahmud
A Semiotic Analysis of Anthropomorphic Conceptions of God in Biblical Verses Memunat Olayemi Mahmud Department of English Studies, Adekunle Ajasin University, Akungba-Akoko, Ondo State
The Little Prince, direction and choreography by Anne Tournié
Review by Geoffrey Sykes Thanks to Anne Tournié (Choreography and Direction) and Chris Mouron (Adaptation and Co-direction) for
Aura Mechanica Dance Review
Aura Mechanica 6 March 2006 Twisted Element co Artistic Director/Executive Producer – Angela Hamilton