Category: Volume 1

Women’s Embodiment as Semiotic: A Multimodal Analysis of Spatial Meaning in Novi Kristinawati’s Design by S. Agustin, A. Saidi, I. Damajanti, and H. Ahmad

Women’s embodied experiences are shaped by both biological and socio-cultural dimensions of the body. In design studies, the work of women designers offers distinctive perspectives grounded in lived and bodily …

Reviews, Views and Interviews / Volume 1

The Little Prince, direction and choreography by Anne Tournié

Review by Geoffrey Sykes Thanks to Anne Tournié (Choreography and Direction) and Chris Mouron (Adaptation and Co-direction) for bringing a work of such joy and hope to our city. More than a revival of …

Posts navigation

Newer posts

Volume 1 2026

Revival of Cabaret Theatre Traditions in Modern Art of Clowning by Vyacheslav Polunin by Elena A. Semenova
A Semiotic Analysis of Anthropomorphic Conceptions of God in Biblical Verses by M. Mahmud
Women’s Embodiment as Semiotic: A Multimodal Analysis of Spatial Meaning in Novi Kristinawati’s Design by S. Agustin, A. Saidi, I. Damajanti, and H. Ahmad
Hidden Semantics of the Painting Program in the Church of the Narva Icon of the Mother of God in Narva by Yuliia Khlystun
Representation of Religious Trauma in Sefi Attah’s Hailstones from Zamfar Kalejaiyek Oluwakemi Abiola and Shogunle Oluwaseyi Nathaniel
Mythologemes of Death, the Garden, and Time in Lewis Carroll’s Alice in Wonderland by A.Shapauov, Y.Turovskaya, S.Negimov and Z. Talaspayeva
Between the Slavery of the Law and the Freedom of the Promise in Grace: A Semiotic Reading of the Allegory of Sarah and Hagar by Nilthon Fernandes
Parole and Subjectivity: A Psycho-Semiotic and Poststructuralist Exploration by Sapanpreet Kaur
Fate, Uncertainty and Mystery of the Supernatural: Ironical Indictment as Literary Hermeneutics in Elechi Amadi’s The Great Ponds and The Concubine by N. Akingbe, C. Ogunyemi and N. Echendu
Interpretation as Creative Objective Act by Liliano Pazo
Communal Mysticism as a Social Contract: An Ethnographic Reinterpretation of Datu Legends in South Kalimantan by Faradina et al

Reviews, Views and Interviews Volume 1

The Little Prince, direction and choreography by Anne Tournié
Aura Mechanica Dance Review

Volume 1

Revival of Cabaret Theatre Traditions in Modern Art of Clowning by Vyacheslav Polunin by Elena A. Semenova
A Semiotic Analysis of Anthropomorphic Conceptions of God in Biblical Verses by M. Mahmud
Women’s Embodiment as Semiotic: A Multimodal Analysis of Spatial Meaning in Novi Kristinawati’s Design by S. Agustin, A. Saidi, I. Damajanti, and H. Ahmad
Hidden Semantics of the Painting Program in the Church of the Narva Icon of the Mother of God in Narva by Yuliia Khlystun
Representation of Religious Trauma in Sefi Attah’s Hailstones from Zamfar Kalejaiyek Oluwakemi Abiola and Shogunle Oluwaseyi Nathaniel
Mythologemes of Death, the Garden, and Time in Lewis Carroll’s Alice in Wonderland by A.Shapauov, Y.Turovskaya, S.Negimov and Z. Talaspayeva
Between the Slavery of the Law and the Freedom of the Promise in Grace: A Semiotic Reading of the Allegory of Sarah and Hagar by Nilthon Fernandes
Parole and Subjectivity: A Psycho-Semiotic and Poststructuralist Exploration by Sapanpreet Kaur
Fate, Uncertainty and Mystery of the Supernatural: Ironical Indictment as Literary Hermeneutics in Elechi Amadi’s The Great Ponds and The Concubine by N. Akingbe, C. Ogunyemi and N. Echendu
Interpretation as Creative Objective Act by Liliano Pazo
Communal Mysticism as a Social Contract: An Ethnographic Reinterpretation of Datu Legends in South Kalimantan by Faradina et al

semioticsar@gmail.com

ISSN 3083-2438 (Online) ISSN 3083-2446 (Print)

1405/3 Carlton Street Chippendale NSW Australia 2008

Editor Geoffrey Sykes